If you enjoy this site (and the other game history projects I run on the side), please consider supporting it on Patreon. Or don’t. Your call. Thanks for reading!
It’s taken us quite a while to get to Metal Man’s stage in the left-to-right, top-to-bottom approach to exploring Mega Man 2‘s stages. In practice, though, Metal Man is almost always my first stop, for several reasons.
First, Metal Man’s stage is surprisingly easy, despite having a dominant mechanical gimmick in the form of conveyor belts. While not without its challenges, it follows its tricky environmental and combat threats with opportunities to restock your health. It features an E-Tank that’s almost too easy to collect. And most of all, the Robot Master at the end of the level is actually quite easy to beat with just Mega Man’s standard weapon yet yields the absolute most versatile weapon in the entirety of the franchise in the Metal Blade. By stopping off at Metal Man’s stage first, you basically grant yourself the easy mode approach to the rest of the game. And that is OK.
Metal Man’s stage consists of gears and clockwork to the point that I’ve always wondered if this wasn’t meant to be the home for Flash Man, a Robot Master whose power centers on time. There’s a bit of a Castlevania vibe going on here, between the clock tower look of the backgrounds to the plunging spike crushers here. It’s not a bad reference to make, honestly; Mega Man and Castlevania were the two breakout stars for original third-party NES creations, so the connection seems apt.
The thick, striped platforms here represent the central trick of Metal Man’s stage: Moving floors. Mega Man’s footing here moves in the direction indicated by the small red arrows, and if simply stand still the conveyors will slide you along either forward or back, depending. If you run in the direction of the arrow, you’ll move at double speed; run opposite its motion and you’ll struggle to make forward progress.
The first belt walk — the flooring you start out on — pushes you forward, immediately prompting you to take action. If you let Mega Man simply stand in his default position, he’ll eventually be whisked right off the forward edge of the platform and into a pit. From there you jump across to the walk seen in the lower-left corner of the screen above, pushing you in the opposite direction. The moving platforms don’t have much impact on your jumps aside from determining your initial velocity, so you can move much more quickly on the conveyors by leaping forward instead of running. To get the E-Tank, you need to make numerous quick hops to scoot forward since the ceiling above the tank is so low.
The process of navigating the moving floors is almost immediately complicated by the spiked plungers that appear in the recesses between the conveyors. They drop once Mega Man draws near them, plummeting quickly from the ceiling to the floor before slowly retracting only to do it all over again a couple of seconds later. These would be fairly easy to avoid under normal circumstances, but the added complexity of the constant motion adds a wrinkle of challenge as you’re forced to nudge Mega Man left or right to hold a steady position as you wait for the plungers to retract. You also need to jump precisely to land on the narrow spaces between them without sliding into the (surprisingly wide) hit boxes of the subsequent traps.
In an example of seemingly backward stage design, you have to deal with a couple of conveyor/plunger combos before you face the plungers surrounded by motionless floor. You’d think it would be the other way around, to ease you into the challenge. It’s not a crucial flaw, but it does seem unusually unfriendly for such an otherwise well-considered game.
Even if you take a few hits in the plunger gauntlet, you’ll be fine once you cross the gap beyond the moving floor to reach stable ground patrolled by enemies called Moles. Probably the most simplistic opponents in the game, Moles simple burrow in one direction, either up or down, and change speed once the break free from the ceiling or floor. They take several shots to destroy, but they appear in massive quantities and tend to be generous with their drops. By the time you work your way slowly through this area, you should easily have restocked your life and potentially snagged a few 1UPs, too.
The Mole sequence can be fairly tedious, though, so you can also speed your way through by either tossing and dashing after Leaf Shields, whose wide area of impact and piercing effect will wipe out everything in front of you and litter the ground with power-ups; or by using the Time Stopper to completely freeze them in their tracks. Once you clear the area, you can then turn around and mop up Moles for a few minutes to refill the Time Stopper, if you like.
Unlike the plungers, the Mole sequence does reflect more progression in complexity of level design: You begin on steady ground before facing off against the Moles on conveyor belts — initially moving you forward, but then pushing backward. The latter can be tricky, because it’s easy to get so caught up shooting the swarms of Moles that you fail to make forward progress as you slide backward.
Beyond the Moles, a 1UP appears high on a ledge, accessible only with Items. If Metal Man is your first stop, you can’t reach the extra life… though for first-timers, it does serve as a clear indication that there are tools in the game to help you acquire goodies placed in out-of-the-way spots.
The back half of Metal Man’s stage presents a weird melange of random enemy concepts atop a string of conveyor belts. What do clowns have to do with clockwork, you may wonder. Who knows! But these guys cause the gears they ride to drop to the floor and begin rolling toward Mega Man, working almost as a variant on the first game’s Crazy Razies in the sense that there are essentially two targets here and the uppermost one is the easier one to destroy. A single shot will take out the clown robots, while the gears soak up more damage.
Further along you face enemies who explode toward Mega Man when shot, forcing you to learn to use uneven ground to your advantage. There’s also a second E-Tank, though it’s only worth getting if you’ve already earned one of Dr. Light’s Item devices; the gap next to the E-Tank is too wide to clear by simply jumping, so you either need to create a temporary platform to advance or else sacrifice a life to claim the power-up.
As for Metal Man himself, well… he’s an odd one. At first blush, he seems almost impossible to deal with. The floor in his lair constantly moves and changes directions every few seconds (signified with a quick screen flash), so you’re always on your toes. And the Robot Master himself tends to leap repeatedly and toss a trio of Metal Blades in a tough-to-dodge pattern that homes in on Mega Man’s actual location in space. Between the movement and the flurry of blades, it’s a super tough.
At least, until you learn the trick. Metal Man is a curiously passive boss, one who mostly just responds to Mega Man’s actions. If you stay in place and don’t shoot at him, he’ll do likewise. Every once in a while he seems to get bored and tosses a Metal Blade, but for the most part he only attacks in response to your actions. If you shoot, he’ll pelt you with a trio of blades. If you stop shooting, so will he. If you move close to him, he’ll leap to the other side of the room. If you don’t, he won’t.
So the trick to this fight is to stop and observe, and attack methodically. Metal Man tends to jump when he attacks, so you need to plan for his motion while predicting the timing of his blades. It takes a little getting used to, but once you have the timing in hand he proves to be surprisingly easy to take down. And you, my friend, have just earned yourself a super fancy weapon.