Daddies dearest

Over the past week or so, I’ve worked my way through the Godfather trilogy during my evening exercise. Because what better way to get your blood pumping than with deliberately paced, four-hour-long movies about politics and betrayal! Well, I joke, but the fact is that even though I’d seen the movie before, the scene from the first movie where Michael performs the restaurant hit had my heart racing. Really intense stuff. It’s a shame the other two movies weren’t quite as good.

Don’t give me that look, Michael. You know it’s true. The second movie needed a little trimming, and the final flashback sequence was entirely too on-the-nose (hey guys, did you know Michael doesn’t value family as much as his father did? In case you were weren’t sure after he had both his brother and brother-in-law assassinated!).

As for the third movie… well, actually, I’d never seen it before, and it was nowhere near as terrible as I’d been led to believe. In fact, it was about 90% excellent, marred only by a completely inane ending (“Here’s three hours of film culminating in a tightly scripted, operative tragedy. P.S., Michael died 20 years later.”) and a poor choice of supporting actress. Enough has been said about Sophia Coppola’s performance that I needn’t belabor the point, but her talents definitely reside on the other side of the camera. I didn’t realize until reading up on the movie after finishing it that she was a last-minute replacement for Winona Ryder. What could have been; that would have worked out to such a better film, it’s kind of heartbreaking. Instead, we got… well, what was that? It was like someone had digitally inserted a performance from one of the Star Wars prequels into a Godfather film.

Come to think of it, Francis Ford Coppola and George Lucas are good friends. Something to consider.

It’s fitting, though. The Godfather is a movie about a son reluctantly following in his father’s footsteps; The Godfather Part II is about how the son is ultimately nothing at all like his father; The Godfather Part III is about how a father undermined his magnum opus with nepotistic favoritism for his daughter. It’s thematic!

6 thoughts on “Daddies dearest

  1. i recently watched the first one, too, on tv for the first time in forever. it was great rediscovering scenes i loved, like when michael discovers there are no guards at the hospital.

    “who are you?”
    “i am enzo… the baker.”
    “you better get out of here, enzo. there’s going to be trouble.”
    “if there is trouble, i will stay here to help you. for your father. for your father.”

    • That hospital scene is one of my favorites.

      I too always preferred the first one, and thought the second one was way too long. And… I agree again in that the third one is not so bad. It certainly has the best plot, for what it’s worth, the first two being more focused on character development. Although, Sophia Coppola is not the only bad actor in the film – Andy Garcia is too overcompensating, Joe Montegna is too obviously slimy, and by this point, Al Pacino had never really recovered from the excess performance of Scarface.

      • And George Hamilton is most assuredly no Robert Duvall. Tom Hagen was a fantastic, fascinating character in the first two movies and Duvall’s performance was legendary. Coppola should’ve paid him what he asked; would’ve been a huge boon to the film.

      • Huh. I didn’t know that was why Duvall wasn’t around. I always thought the novels had written him as going off to start his own family, or something.

        In any case, you’re absolutely right – he was always one of the most interesting characters in the first two films.

  2. Agreed on all counts. I haven’t seen the entirety of the second one in a while, but I’ve always thought that it’s slightly worse than the first. It’s still an amazingly good movie, but I like the flashback parts more than the present day stuff. Although the scene where Kay tells Michael that she had an abortion is pretty riveting.

    “WAS IT A BOY!?”

    Al Pacino’s eyes are scary in that scene.

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